[Trombone-l] Aharoni's New Book Review

[Eliezer Aharoni]

My new book "The Non Classic Bass Trombone" was just reviewed by Adrian Morris (Bass trombonist, Halle Orchestra) in tha Autumn 2008
issue of the BTS (British Trombone Society).
Here is the review:

Eliezer Aharoni will be well known to most bass trombonists for his iconic publication “New Method for the Modern Bass Trombone”. This book has been part of my practice routines and teaching methods for around 25 years now, so I am delighted to be able to introduce you his latest book "The Non Classic Bass Trombone"

 

"The Non Classic Bass Trombone" is a book about just that!

It explores the bass trombone's role in genres other than the symphonic field, ie. Jazz, Rock, Latin and Popular music, and is an ideal source of reference for players that wish to develop their skills in these areas.

 

There are so many things covered in this book that it would be impossible to mention them all here, but I will do my best to give you a real idea of the scope of material included. 

 

"The Non Classic Bass Trombone" starts with a fascinating section that describes the history of the bass trombone in the "light" side of the music business including who the players were and the development of the instrument itself. 

Mr Aharoni then discusses and lists players that are leaders in this field today and the instruments and valve combinations that are available and suitable, plus there is a very useful section detailing the different mutes that are used in light music, with photographs. 

 

If you want to learn how to construct a walking bass line, how to use different styles from Funk-Bop to Soul, characteristic phrases to use in your solos and the effective use of ornaments in jazz then this book is for you. There are many examples for you to study and practice.

As well as all of the above there are studies and pieces, which are fantastic to help develop your playing in the different styles you will need to master. Many of these you can play along with the two CDs that come with the book. 
These CDs also have very helpful demos by Micha Davies, the current bass trombonist with the Israeli Philharmonic on how to play the studies.

Also included in the book are duets and a very useful bibliography and discography. With many great pieces and recordings listed, this could save you hours when looking for your next solo piece, or just something good to listen to.

“The Non-Classic Bass Trombone” offers you a wealth of knowledge and practice material to help you develop your skills for performing in the World of Jazz and Pop.
In my opinion this new book is an excellent addition to bass trombone literature and all serious students of the instrument and performers should include it in their library. 

Adrian Morris