[Trombone-l] Positions

[Nelween M. Gan]

Guys, You've got a brilliant ideas.
I've also benefited with this....thanks.
In addition to that, simply, trombone positions normally written above the notes in a single digit only, unless there is/are alternate positions for a specific note, then, if those numbers written in Slama's method composed of more than 1 digit, it is intended for other instruments like Euphonium, tuba or any.... Make a comparison for Euphonium fingerings, for instance, D above the staff is numbered 1,3- then, it is truly intended for Bb Euphonium of Tuba. . . i don't have any idea on what is written in that book you've mentioned........

Nelween




> Date: Fri, 8 Aug 2008 09:13:13 +0200
> To: dclason at nmsu.edu; jfendrick at bak.rr.com
> From: h.weiner at online.de
> CC: trombone-L at server5.samford.edu
> Subject: Re: [Trombone-l] Positions
> 
> At 15:21 07.08.2008 -0600, Dennis Clason wrote:
> >It appears that Slama was on the faculty of the Vienna Conservatory.
> >The book is used for Bass, bassoon, trombone and euph.
> 
> >If I knew for-sure that Slama was the bass teacher at VC, I'd be certain
> >of it.
> 
> And the prize goes to Dennis!
> 
> Anton Slama was indeed professor of trombone AND 
> bass at the Vienna Conservatory. He was the 
> second person to hold both these positions in 
> tandem. (The first was Franz Glöggl, whose father 
> "commissioned" Beethoven to write the Equali -- but that's another story.)
> 
> Howard
> 
> 
> 
> --
> Howard Weiner
> h.weiner at online.de
> http://howard-weiner.de/
> 
> Tosca jumped to a conclusion.  
> 
> 
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