[Trombone-l] Tuning notes
clayton murphy
claytonmurphy444 at hotmail.com
Wed Mar 7 09:23:06 CST 2007
I find the whole tuning thing rather interesting. Tuning the horn is just
one of the things that needs to happen in order to play with others. Just
as important as tuning the horn is waking up the ears. I have found that to
play, either alone or with others, requires constant listening and adjusting
of the handslide for each and every note. And, just when you get that note
"in tune" its position in the chord changes and more adjustments need to be
made.
I remember getting a method book many years ago (I don't recall the author)
that had a very detailed position chart. At the time, I was somewhat
skeptical of all of the positions shown - it seemed like there was a
different position for each note. As I began to listen more closely to my
playing, I found that, indeed, this slide chart had quite a bit of validity
to it. I also found that each time I played a different horn that the
adjustments that I needed to make for each note changed - albeit slightly.
As I play and teach now, there are two basics of intonation that need
consideration - 1) the intonation problems with the various partials, 2) the
intonation adjustments based on your note's position in the chord. I spend
a great deal of time with my students having them listen to themselves and
self analyzing their playing. We talk about the basic intonation
considerations. And, hopefully, we get to the point that it becomes part of
what they automatically do and - to borrow Sam's word - they can
Fuggedaboudit.
I have a pretty good idea where each note is on the horns I play regularly.
Because of this, it doesn't matter, really, which note is given for a
tuning reference - although there are partials I would prefer not to use to
tune the open horn. If, when tuning, the slide lands too far from that
spot, it's time to move the tuning slide.
Murph
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