[Trombone-l] Tuning the F attachment.
sabutin
sabutin at mindspring.com
Wed Mar 7 08:45:49 CST 2007
Y'all mean that you can TUNE an F attachment?
Well, I'll be danged!!!
Every time I try to tune one, things get all...complicated.
Seriously, folks...
The horn locks progressively less well as you go down into the lower
ranges. You can only lip a 5th partial note down about a half step,
but the second partial? More like a major third.
And it gets even MORE unstable as you get lower. ESPECIALLY for
dedicated tenor players who are playing in the trigger and
sub-trigger ranges. We all have shifts of some sort, and many of
those shifts pitch the instrument slightly differently.
So for single trigger players and dependent double valve systems, I
strongly recommend tuning the low F in 1st position on the F valve
slightly extended if you are going to have any real use for it in
positional matters. This allows you to adjust that F up if
circumstances demand. For example if there are sharp players in the
ensemble with whom you must play and/or you do not not have such a
good setting down there after staying in the higher ranges for an
appreciable period of time and/or if you have been sitting for 10
minutes and your horn is unexpectedly flat as a result. This means
that the low C will be relatively unavailable on the F valve unless
you retune, but there it is...
I mean...how many times do you have to use the F valve as a position
shortener as opposed to using it to play a good low C ?
The ratio is about 40 to 1. If that.
For independent double valves? (F and Gb being the most common
tuning.) It depends on you. I mean...you HAVE a good C in double
trigger 3rd position, right?
Do you really need one in F trigger 6th?
On the other hand...you also have a good F in Gb trigger 2nd.
Choose your weapons.
Tuning at ten paces.
I personally prefer to use all kinds of Gb and F valve options on my
independent bass in order to stay in the middle positions as much as
possible. The same way I approach the upper ranges. The closer you
get to the end of the slide, the fewer positional options you have.
Low F, E and Eb on the Gb valve, plus middle of the bass clef C, B
and Bb are VERY useful. Even A in Gb trigger 5th on occasion.
As are F trigger middle of the bass clef Bb, A and Ab.
How facile am I with these options?
Not very, yet. But when I get a chance to practice them (Tenor
player/bass doubler that i am...) they begin to work just fine.
AND...they eliminate much of the need for ANY compromise in tuning
the F valve. Tune it wherever you want to tune it and use the Gb
valve to ameliorate whatever problems inevitably arise from your
choice.
It's ALL a compromise...
Have fun.
Later...
S.
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